shutter speed – Page 7 – Feathered Photography

American Kestrel In Flight

Anyone who follows my blog knows that I love to photograph raptors and flight shots are perhaps my favorite genre. But I’ve found getting acceptable flight shots of the American Kestrel to be nigh on to impossible (unless they’re hovering). The smaller the bird, the more difficult it is to get in flight, for a variety of reasons, and kestrels are perhaps our smallest raptor. The best chance is to catch them just after take-off. Most raptors give some indication of imminent take-off (body posture, defecation etc) so you often know when it’s coming, but kestrels generally don’t. They launch so incredibly fast, and in unpredictable directions, that luck will always play a large role in getting the shot. Then, throw into the mix the fact that their speed requires very high shutter speeds and the result is a very formidable photographic quarry. 1/3200, f/5.6, ISO 640, 500 f/4, 1.4 tc, not baited, set up or called in Two days ago I was able to get this shot of a female kestrel taking off from a metal post. I like the wing position, light and especially the acrobatic position of the legs and feet. I had the shutter speed to get the bird sharp but f/5.6 didn’t give me enough depth of field to prevent blur in the right wing. But I think a little wing blur in a shot like this still works pretty well. Ron

Male Northern Harrier Almost Blown Off His Perch

I don’t often get close to perched male harriers but on Antelope Island a couple of months ago this one made an exception for me. 1/3200, f/5.6, ISO 640, 500 f/4, 1.4 tc As I watched him through my lens a sudden wind gust almost blew him off of this pointed and precarious post perch and I liked some of the poses that resulted. It’s times like this that I appreciate the relatively fast burst rate of the Canon 7D. I didn’t get a great look at the eye in this first shot but I liked the tail, wing and left foot positions that show his obvious attempt to recover stability on the perch. 1/3200, f/5.6, ISO 640, 500 f/4, 1.4 tc A better look at the eye and a higher wing position in this image… 1/3200, f/5.6, ISO 640, 500 f/4, 1.4 tc and in the very next frame he extends his left wing far out in front. 1/3200, f/5.6, ISO 640, 500 f/4, 1.4 tc Still recovering. Notice the bloody feet in these shots, most likely from his last vole meal. 1/3200, f/5.6, ISO 640, 500 f/4, 1.4 tc Finally, he’s recovered enough to give me direct eye contact. 1/2500, f/5.6, ISO 640, 500 f/4, 1.4 tc A little ruffled by the experience but in the end, all’s well. This series is an example of why, after I’ve taken a few static shots of the bird, I like to bump my settings to give me enough shutter speed…

Some More Burrowing Owls

I simply can’t resist photographing Burrowing Owls. 1/100, f/5.6, ISO 500, 500 f/4, 1.4 tc These youngsters often have a balance problem when they try to perch on the relatively unstable sunflowers, which can be a good opportunity for the photographer to get some interesting poses. One of the problems here was that the sun was just coming up and the light was very low as you can see from my very slow shutter speed. Even though this bird fluttered on the perch for quite a while I ended up trashing most of those shots because they just weren’t sharp enough. But the other problem just about drove me batty for a while. For some reason my Canon 7D wouldn’t allow me to adjust my exposure (ev). How very frustrating to have this bird giving me such nice poses while I’m thinking the entire time that I’m over-exposing the shots and can’t do anything about it! It turned out that my exposure for these shots was just right (I’ve done no exposure adjustment in post-processing with this image) but it took me (us) a half hour to figure out what the problem was with my camera. Mia saved the day by downloading the 7D manual to her phone and in the end the problem turned out to be that I had inadvertently switched on the “lock” button on my camera. Sheesh! 1/2000, f/6.3, ISO 400, 100-400 @ 300mm I thought some of you might like to “meet” most of the Burrowing Owl family I’ve been photographing this summer. From left to right #3 and #5…

Bathing Killdeer

Two days ago we woke up to a cloudy morning so we put our shooting plans on hold for the day but soon the clouds began to clear from the south so we decided at the last minute to head for Farmington Bay which is not only a shorter drive but it’s further south than Antelope Island, which gave us a better chance for some decent and relatively early light. I’m glad we did – if for no other reason than this cooperative Killdeer. 1/5000, f/5.6, ISO 500, 500 f/4, 1.4 tc The Killdeer was a little wary of us as we approached but as soon as I turned the engine off it settled right down for its morning bath. A note about shutter speed for these shots: When birds are bathin’ and shakin’ the feather movement is very fast and since I had plenty of light and wanted to freeze that movement I made the conscious decision to go for a minimum shutter speed of 1/3200. I think it worked out pretty well to stop the motion of both the feathers and the water spray. All images are in the sequence that they occurred. 1/4000, f/5.6, ISO 500, 500 f/4, 1.4 tc First the Killdeer seemed to be testing the water temperature before proceeding. 1/3200, f/7.1, ISO 500, 500 f/4, 1.4 tc Since the bath water seemed about right the bird began to bathe with gusto. 1/4000, f/7.1, ISO 500, 500 f/4, 1.4 tc For these first few shots the Killdeer…

The Harrier And The Dumpster

Multiple times in the past few years there’s been a Northern Harrier perched on one of the bushes around this gravel parking lot but without exception every time I’ve tried to approach the bird it has flown off before I could get close enough for a quality shot. Frustrating… So earlier this week when I spotted a handsome male on the large darker bush to the right in the photo below I decided to try a different tack. Birds very often seem much less inclined to spook if there’s something between them and the photographer and it doesn’t have to be anything very substantial – even a few twigs will often do. Having something physical between them and a potential threat seems to give them a sense of security. So even though I’ve often cussed this ugly old dumpster over the years (I realize it’s there for a very good reason) I decided to try to put it to good use for my purposes. I slowly drove to the left of the dumpster, turned around and approached the bird with the dumpster between me and the harrier. The harrier obviously knew I was there but with the ugly old hunk of metal between us it didn’t fly off. Then as I got very close to the dumpster I slowly turned to my right just far enough to give me a look at the bird through my lens from my pickup window. 1/3200, f/6.3, ISO 500, 500 f/4, 1.4 tc As you can see the harrier was…

Shutter Speed and Take-off Shots

Just a single image today, to illustrate a lesson I’ve learned before but “relearned” yesterday. I shoot lots of birds at take-off, particularly raptors. For those larger subjects relatively slow shutter speeds will usually freeze the motion, even in the wings. Typically, 1/1200 or 1/1600 will do just that. 1/3200, f/5.6, ISO 500, 500 f/4, 1.4 tc, cloned out an OOF sunflower stalk to the right of the bird So yesterday after I’d taken a few perched shots of this shrike I set up for a take-off since it was facing to my right and I figured it would take off in that direction, giving me both good light and a take-off posture that would require relatively little depth of field so f/5.6 would suffice. Then I noticed that I had a shutter speed of 1/3200 and I remember thinking that might be a little excessive and I should dial back to f/ 6.1 for slightly more DOF and less shutter speed. But I knew that if I took a moment to change my settings the bird would choose that instant to launch and I’d miss the shot. So I stuck with my settings. I’m glad I did. Wing motion in these little birds is incredibly fast! Here, even 1/3200 didn’t completely freeze the wings. Don’t get me wrong – a little motion blur in wings of birds in flight isn’t an issue with me and I’m perfectly happy with this image the way it is. But for my tastes I’m glad there’s no more motion blur than there is. Ron

Shrikes, Pellets and Photographer’s Frustrations

For about three years now one of my photography goals has been to get a series of quality shots showing a Loggerhead Shrike regurgitating a pellet. My requirements were that the images must be sharp with good detail and light, there must be no significant distractions or clutter to interfere with the behavior, there should be light in the eye (a catch light) and the last shot must show the pellet after it has left the birds mouth. This post is a progress report of sorts on how I’ve fared with the goal. I’ll include some lessons I’ve learned and mistakes I’ve made so I hope you’ll bear with me through a few less than ideal images which help to illustrate some of those lessons. 1/1250, f/8, ISO 640, 500 f/4, 1.4 tc This was my first image of a shrike ejecting a pellet (3/3/10). I didn’t anticipate it happening and wasn’t even sure what was going on until I processed the image. I got two almost identical shots that showed the pellet in the mouth and missed the pellet as it was ejected (I think I remember my buffer filling up just about then). I was also too far away for good image quality – this is a large crop. 1/3200, f/6.3, ISO 500, 500 f/4, 1.4 tc On the next opportunity (8/5/11) I was frustrated by obstructing branches and a poor light angle. While this young bird was ejecting the pellet it was facing mostly toward me which put its face and the pellet in shadow. Then the juvenile did something completely unexpected…

American Kestrel Preening on a Rabbitbrush Perch

American Kestrels are pugnacious and skittish little falcons that are usually difficult to approach. But last week I found a cooperative male warming himself in the early morning sun while perched on rabbitbrush. Though feisty by nature this kestrel looked almost cuddly while all puffed up against the cold and nestled into the bush. 1/2000, f/8, ISO 500, 500 f/4, 1.4 tc I first approached him head-on which gave me some images where bird and perch combined to produce a pyramid shape that I liked. 1/3200, f/6.3, ISO 400, 500 f/4, 1.4 tc But then I maneuvered to get a different angle so that at least part of the tail would be visible. In these early shots my camera settings were meant to give me enough shutter speed for the take-off that I fully expected. 1/2000, f/7.1, ISO 250, 500 f/4 But when he began to groom contentedly I started fiddling with my settings to get shutter speeds and depth of field more appropriate for the situation. Here he is passing one of his tail feathers through his bill in typical preening behavior. 1/1600, f/8, ISO 250, 500 f/4 He gave me a variety of preening poses that I liked. 1/1250, f/8, ISO 250, 500 f/4 Some of the neck feathers are difficult to reach so they go through some strange contortions in an effort to get to them. 1/1600, f/8, ISO 320, 500 f/4 Here the eye was half closed but I was still able to get a catch light. …

Just A Shot That I Like… #12, American Avocet Ballet

Occasionally an image still appeals to me despite significant imperfections. In this shot the cluttered background is not ideal nor are the specular highlights on the leg of the male’s reflection but I quite like the positions of both birds, their reflections and the good separation between the avocets and the reflections. 1/1250, f/10, ISO 400, 500 f/4, 1.4 tc Fighting avocets are very difficult to photograph because typically several male combatants are separated from each other by some distance and you never know which bird is going to go after another one next and when the action begins it is blindingly fast. There’s also the problem of getting enough shutter speed and depth of field for multiple birds in action. Shooting these birds fighting is nearly always a “poke and hope” situation. Setting the scene: I had been photographing four males fighting over a single female (sexes easily identifiable because the female has a shorter and more strongly recurved bill than does the male) when this male lifted off and attacked two other males just out of frame to the right. I just happened to catch the male in a good position over the female with reflections I liked. One of the things that made this shot work is that I had enough light to use f/10 for sufficient depth of field and still get a fast enough (just barely) shutter speed to get both birds relatively sharp. Ron

Ferruginous Hawks of Utah’s West Desert

The Ferruginous Hawk is a strikingly handsome raptor with its stocky build, white underparts and rufous coloration. It is the largest North American hawk and has several distinctive features including the fact that its legs are feathered all the way down to the feet. The Rough-legged Hawk is the only other hawk on this continent to share this trait. I’ve had a devil of a time getting many photos of this species that I like. For me they’ve been difficult to find in the first place and then there’s the issue of getting near enough to them for quality images as they generally don’t allow a close approach. My best luck with the species has been in the foothills of Utah’s west desert mountain ranges. 1/1250, f/7.1, ISO 500, 500 f/4, 1.4 tc I found this bird earlier this week and spent quite a while “sneaking” up on it very slowly in my pickup. I ended up getting reasonably close before it flew off. The hawk is relaxed enough with me in its presence to perform a nice wing stretch. 1/1000, f/6.3, ISO 500, 500 f/4, 1.4 tc These birds tend to hunt high off the ground and no matter how slowly I try to approach them while they’re in the air they usually maintain a minimum distance from my truck that is too far away for good photographs. Very occasionally however one will apparently become curious about me and fly in close – always with its eye on me and not on any potential prey on the ground. …

Strategies for Photographing Birds at Take-off

Photographing birds at take-off is very different from shooting them in flight, for a variety of reasons. In fact in some ways it’s more difficult. First, I’d best define what for me is a take-off shot. I think it’s a take-off and not a true flight shot when any of the following conditions are met: a.) the bird’s feet are still touching the perch, b.) the feet are still extended down or behind the bird from the effort of pushing off the perch and not tucked up against the body in an aerodynamic position or c.) it’s obvious from the flight posture of the bird or the presence of the just departed perch in the image that it has just taken off. I realize that this is an arbitrary definition and that technically as soon as the bird has left the perch it’s in flight but that’s how I’ll define it for this discussion. Take-off shots have lots of appeal for many, largely because the effort required for lift-off often provides a very dynamic flight posture with the wings, tail and legs/feet in exaggerated positions compared to “simple” flight. Many novice bird photographers are intimidated by the difficulties of flight photography and attempt take-offs instead, in the mistaken assumption that they should be relatively easy. Not so. Following are some strategies and tips for getting good take-off images that have worked for me. I hope they’ll be helpful to some of you. Plan ahead to avoid clipping body parts – particularly the wings: Many novice avian photographers are unpleasantly surprised by the amount of wing extension during take-off and they cut…

Early Spring Birds and Craziness on Antelope Island

Typically our first spring camping trip is a shake-down cruise for the trailer to Antelope Island. If anything goes wrong with the trailer (and it sometimes does after sitting all winter) I’ll be relatively close to home. This year we spent the last two days of March on the island. Most of the photos in this post were taken on that trip. 1/2500, f/6.3, ISO 500 There’s been a few Western Meadowlarks on the island for much of the winter but they’ve returned in large numbers now. In all my travels in the west I don’t think I’ve ever seen any other area with such a high concentration of this species. At times their beautiful song resonates all over the hills of the island. Meadowlarks always bring back fond memories for me of growing up on the Montana farm. 1/2500, f/6.3, ISO 500 Loggerhead Shrikes are another very common species, especially on the northern part of the island. They’ve been absent all winter but we’re seeing more of them on each visit now. It was cloudy when this image was taken and I didn’t get a lot of light in the eye but I think there’s just enough. 1/2500, f/7.1, ISO 500 I always look forward to the return of the Long-billed Curlews with great anticipation and they started appearing about 10 days ago. I was happy to get this shot of the male on the right displaying for the female. Male and female curlews are almost identical but they can be differentiated by their…

The Challenges of Photographing Birds in Flight in Low Light

Photographing birds in flight in relatively low light (dusk, dawn, cloudy conditions etc) isn’t easy. In addition to the expected challenge of locking focus onto a fast and often erratically moving target, in low light you have the problem of getting enough shutter speed to get a moving subject sharp. A potential solution to the problem is “opening up” – increasing the size of the aperture, which is the same as reducing the f-number – say as in changing your setting from f/7.1 to f/5.6. This lets more light into the camera in the same amount of time, allowing for an increase in shutter speed to freeze the motion of the bird. Opening up however has another effect – reducing depth of field, so less of your subject is likely to be tack sharp. Another potential solution is to increase ISO. Increasing ISO in digital cameras has the effect of seeming to increase the sensitivity of the camera’s sensor to light so that faster shutter speeds can be used but the downside to increasing ISO is that it can increase digital noise in the image. Sometimes in bird photography fantastic opportunities with birds in flight present themselves in less than ideal light. Your best chance at an acceptable image under those conditions is to understand the interplay between your camera settings – how changing aperture affects shutter speed and depth of field and how changing ISO affects shutter speed and the production of digital noise. Male Northern Harrier, 1/1250 @ f/11, ISO 800 It’s not often I get a…

Tag: shutter speed