This was a day I’m sure I’ll never forget – my first up close experience with an owl of any species in the wild. I’d only been photographing birds for about a year and I still had a lot to learn – about my gear, about technique and about my avian subjects.
I’ve posted once before about the fighting Male Short-eared Owls I photographed in south-west Montana but I spent several days with these sparring birds and thought they deserved some more attention on my blog.
I’m always happy when I can get decent images of an owl in flight. If they’re carrying prey it’s a bonus. And if the bird is flying toward me I often consider it icing on the cake – partly because those kinds of shots are so very often baited, decoyed, set up or called in. As always for me, these were not. I’ve posted one of these shots before but I hoped it might be interesting for some to see a sequence of images as this adult male Short-eared Owl flew toward me with a vole for its mate before veering off to my right. 1/1000, f/5.6, ISO 800, 500 f/4, 1.4 tc, natural light, not baited, set up or called in This first image shows less detail and image quality because the owl was further away as it began to approach me but I decided to include it for context in the sequence. The lower background is sagebrush flats while the upper blues are Montana’s Centennial Mountains in shade. 1/1250, f/5.6, ISO 800, 500 f/4, 1.4 tc, natural light, not baited, set up or called in Four frames later the owl was significantly closer and flew almost directly at me before veering off – a pattern it followed more than once. I’d guess that it was his way of checking me out for any potential threat before delivering the vole. 1/1000, f/5.6, ISO 800, 500 f/4, 1.4 tc, natural light, not baited, set up or called in Which he’s doing intently here. Eye contact can’t be much…
Something a little different from me this time… In the past I’ve had a wide variety of requests for use of my images, including such disparate projects as prints, magazine and book publications, non-profit scientific and educational organizations (which I nearly always allow without a fee), fancy rubber stamps, uses by painters and other artists as subjects for their work, an image to be lacquered into the top of the communal dining table of a new fire station in Temecula, California and several of my Northern Harrier (a type of hawk) images have been used in the AV8B Harrier (jump-jet) pilot training software at the Naval Air Weapons Station at China Lake, California. But a few weeks ago I got something new for me – a request to use one of my avian images for a very large, “photo – realistic” tattoo. Jenna, from New Zealand, contacted me and requested to use this image of a female Short-eared Owl in flight (with brood patch visible on the belly) as the basis for the tattoo. Her tattoo artist, Matt Jordan of Ship Shape Tattoo, Orewa, New Zealand, needed a high-resolution version of the image in order to get enough detail to make the very large tattoo photo-realistic. Even though this shot was taken in extremely low light and doesn’t have quite as much detail as most of my photos, in the end there was enough. Matt Jordan is apparently very talented and in high demand so it took Jenna several months to get the project started. It’s a long, drawn out and painful process. Jenna’s first session with Matt lasted for 6…
A couple of weeks ago I posted two shots of this Short-eared Owl perched on this frost-covered rabbitbrush. In those images the bird was reacting to me which isn’t really a natural behavior. A direct look toward the viewer from those strikingly colorful eyes is certainly riveting but more natural behaviors also appeal to me. 1/500, f/8, ISO 500, 500 f/4, 1.4 t c, natural light, not baited, set up or called in Short-eared Owls hunt primarily “on the wing” – they’re typically not “sit and wait” hunters like many other raptors. But this bird noticed what was probably a vole at the base of the rabbitbrush and its reaction to it was obvious. It stared intently down for some time which resulted in a natural pose that I like. Ron
This male Short-eared Owl was taking off from the sagebrush plains of Montana’s Centennial Valley. 1/1600. f/5.6. ISO 800, 500 f/4, 1.4 tc, natural light, not baited, set up or called in I got three shots in the sequence that I liked well enough to keep. At lift-off he was heading mostly in my direction. I was shooting from my pickup and the vehicle didn’t intimidate him in the least. 1/2000. f/5.6. ISO 800, 500 f/4, 1.4 tc, natural light, not baited, set up or called in Almost immediately he began to veer off to my left… 1/1600. f/5.6. ISO 800, 500 f/4, 1.4 tc, natural light, not baited, set up or called in and then gave me a side view as he flew off to hunt voles for his family (female and two chicks). I’ve never posted this sequence before because the very low light forced me to shoot at ISO 800 which is really pushing it for my Canon 7D so there’s some resulting noise in the images. I don’t like to use noise reduction but I’ve applied it to the backgrounds only for this presentation. Like I said in my last post, every image has strengths and weaknesses and the low light I was dealing with (especially for flight shots) forced me into some compromises for these images. They may not be perfect but I’m still happy to have them. Ron
I’ve had very few good opportunities with Short-eared Owls in winter but yesterday morning along the causeway to Antelope Island my luck changed a bit for the better. It was overcast but there was almost 6″ of fresh snow on the ground which helped slightly by reflecting some of the available light onto the bird. The setting in these three images is “high key” (light color tones with little contrast) because of all the snow. The background is the snow-covered lakebed of the Great Salt Lake. High key images don’t appeal to everyone. 1/2000, f/5.6, ISO 640, 500 f/4, 1.4 tc, natural light, not baited, set up or called in Northern Harriers and Rough-legged Hawks often hunt the causeway so when I first came across this owl my camera settings were already set for possible flight shots. I snapped off a few images at those settings before I made adjustments. I wasn’t particularly happy with the vegetation in front of the bird… 1/500, f/8, ISO 500, 500 f/4, 1.4 tc, natural light, not baited, set up or called in but it soon flew a few hundred feet west along the causeway and perched on a rabbitbrush that gave a slightly better view of the owl. For this shot I had maneuvered my position to get some very out of focus vegetation in the mid-background to provide at least a little bit of color back there but the difference is only slight. 1/500, f/8, ISO 500, 500 f/4, 1.4 tc, natural light, not baited, set up…
One of the primary functions of feathers is insulation and they’re very good at preventing heat loss. But this efficiency presents a problem – how to keep the egg(s) sufficiently warm during incubation, since feathers act as a barrier to heat transfer from parent to eggs. Typical bird body temperature is about 104 degrees F. and the ideal incubation temperature for their eggs is very close to normal human body temperature – 98.6 degrees F. That dilemma has been solved by most bird species through the evolution of the “brood patch” – an area of belly skin that loses its feathers near the end of the egg-laying period. As the feathers are lost, supplementary blood vessels engorge the skin of the “patch” so that hot blood is brought to the surface. Amazingly, the parent can even shut down blood flow to this region when that bird is off the nest. When the incubating parent returns to the eggs for incubation, he/she typically goes through settling movements that bring the brood patch into gentle contact with the eggs. The patch may be large or small, depending on a variety of factors including how many eggs are incubated. Some species have a single patch in the middle of the belly, others may have one each side or even three. Typically the patch is difficult to observe in wild birds, particularly in flight but I have several images of a female Short-eared Owl where it is visible. This female had two chicks that she was trying to keep warm during a typically cold Montana spring. The male…
I try not to play favorites when it comes to bird subjects for my photography but Short-eared Owls would have to be near the top of any such list I might make. I’ve had some luck with them here in Utah but my favorite area to photograph them is in southwest Montana. This series is from the summer of 2010 in Beaverhead County. I spent several days watching and photographing a male owl hunt voles and then bring them in for his family (female and two chicks) at the nest at the base of a sagebrush. I thought it might be interesting for some to see a full series of shots (of those I kept) as the male approached the nest with a vole. 1/1600, f/6.3, ISO 800, 500 f/4, 1.4 tc, shot from pickup window, natural light Like me, this male was a creature of habit. I would watch him hunting far off in the distance and when he was successful he would always repeat the same pattern. He would bring the vole in to the vicinity of the nest and then land on one of two favorite perches for a short time before delivering the vole to his family. This small sagebrush was one of those favorite perches – the other was a metal post. Here, he is in the process of landing and you can see the dark vole in his left foot. He always carried the vole to the perch in his left foot (as I’ve documented here) and always transferred…
I’ve been frustrated by this species in flight in Utah for years, though I’ve had some luck with Montana birds. 1/3200. f/6.3, ISO 500, 500 f/4, 1.4 tc Finally, last summer, I found a mated pair on Antelope Island who were busy trying to keep track of and feed at least four juveniles spread out over several acres. Occasionally one of the parents would fly by relatively close as it returned with a vole for the youngsters. In larger versions of this image there’s a catch light in the eye of the vole but it’s impossible to see at this size. Ron
These three images are of a mated pair of Short-eared Owls taken two years ago at Red Rock Lakes National Wildlife Refuge in southwest Montana. 1/1250, f/5.6, ISO 800, 500 f/4, 1.4 tc This is the male delivering a vole to his family. As you can see from my techs I had to max out my settings (especially on the last two images) to try to get enough shutter speed for flight shots. Each of these photos was taken on different mornings but the light was consistently a challenge while we were there. 1/800, f/5.6, ISO 800, 500 f/4, 1.4 tc This is the elusive female. I got very few shots of her because she spent most of the time on the nest with her two chicks and I rarely saw her fly. 1/800, f/5.6, ISO 800, 500 f/4, 1.4 tc Another look at the male. There’s a good reason for the timing of this post – we’re at Red Rock right now (I prepared this post before leaving and post-dated publication) and anticipation of this trip had me thinking about these wonderful owls again. We’d have to be pretty lucky to find cooperative owls again but if not there should be plenty of other birds to work with. The biggest challenge on this trip is likely to be light. Red Rocks is right on the continental divide and early summer weather up there is volatile and often down-right scary – especially when you’re pulling a camping trailer over 30 miles of dirt roads! These trips are…
Wednesday of this past week was my “medicare birthday”. I’m sure older readers will understand why my psyche needed some bolstering and I felt justified in burning up some extra gas and putting even more miles on my pickup for a trip to Bear River Migratory Bird Refuge to help take my mind off of my advancing age. It was worth the trip! While I didn’t get any truly spectacular shots it was a wonderful morning with excellent weather and light, lots of cooperative birds and great company – thanks to Mia. The only downside was that I had 35 gigs of images to cull when I got home… A couple of notes about my techs: a), regular readers are probably aware that I nearly always shoot with the 1.4 tc attached to my 500 mm. On this morning I got so close to many of the birds that almost half of the images I’ve posted here were taken without the tc and b), many of these images were taken with a very high shutter speed which is typical for me since I’m usually set up for action shots after firing off a few times on more traditional poses. All photos are presented in the order they were taken. 1/1250, f/5.6, ISO 640, 500 f/4, 1.4 tc On the road to the refuge we came across a pair of Short-eared Owls cavorting in the air right after the sun came up. One of the owls was “sky dancing” but by the time I got the pickup…
These images were all taken over the last eight days, either at Bear River Migratory Bird Refuge or Antelope Island. Another one of my “potpourri” posts with no common theme except “feathers”. 1/640, f/7.1, ISO 640, 500 f/4 The Willets have finally come up on the island for their mating activities (as opposed to the shoreline for recuperation after migration) and I like to try to catch them perched high on the sagebrush where they call loudly to other Willets. 1/2500, f/6.3, ISO 500, 500 f/4, 1.4 tc Western Meadowlarks are in their glory right now and their distinctive songs reverberate all over the island. 1/5000, f/6.3, ISO 500, 500 f/4, 1.4 tc I got closer to this one than I usually can. 1/1600, f/7.1, ISO 500, 500 f/4 This Loggerhead Shrike was grooming peacefully when I noticed a distinct change in its behavior. 1/1250, f/7.1, ISO 500, 500 f/4 A Common Raven flew low overhead and this was the shrike’s reaction. It flattened its body out almost into a bullet shape and pointed that bullet at the raven as it passed. I’m guessing it was an instinctive behavior to present the smallest profile possible to a larger bird that might be a potential threat. It was comical to watch it turn as the raven flew by to keep its body pointed in the larger birds direction. 1/2000, f/6.3, ISO 500, 500 f/4, 1.4 tc I’m always happy to catch a Chukar perched on a boulder, especially when it isn’t one of the…
We were driving out of Red Rock Lakes National Wildlife Refuge on our way home when we spotted this Short-eared Owl perched on a large double post at the top of a long, grinding hill. I was pulling the camping trailer so we made a lot of racket and raised a huge cloud of dust on the gravel road so I figured there was no chance this bird would let that big noisy rig close enough for decent shots. But it did – though just barely. 1/1000, f/7.1, ISO 640, 500 f/4, 1.4 tc Here it was trying to decide if we were enough of a potential threat to fly off but soon it relaxed and seemed to accept our presence. 1/1000, f/7.1, ISO 640, 500 f/4, 1.4 tc Almost immediately the owl began to scour the slope to the right for potential prey. 1/1000, f/7.1, ISO 640, 500 f/4, 1.4 tc When it spotted something it took off… 1/1000, f/7.1, ISO 640, 500 f/4, 1.4 tc gained speed as it descended down the relatively steep slope… 1/1000, f/7.1, ISO 640, 500 f/4, 1.4 tc and this is the last decent shot I got as it got close to the grasses and I lost focus on the bird. 1/1000, f/7.1, ISO 640, 500 f/4, 1.4 tc But the owl obviously liked that post as a hunting platform and almost immediately returned to it (though these last shots are from an earlier sequence). It very quickly spotted what was probably…
In previous posts (here, here and here) about these Short-eared Owls at Red Rock Lakes National Wildlife Refuge I’ve shown and described snippets of the fascinating behaviors I observed when this male would deliver voles to the female and two youngsters at the nest. But it struck me that I’ve never put the whole process together in sequence so the behaviors could be fully appreciated so that’s what I’ll attempt to do here. Most of the images will be different from those in the previous posts. 1/1250, f/5.6, ISO 800, 500 f/4, 1.4 tc The male was a tireless and highly skilled hunter and I never saw him with any prey other than voles. When successful he would always return to the vicinity of the nest and land momentarily on one of two favorite perches – the dark sagebrush at lower right in the above photo or a metal post a few feet from the sagebrush. Here he’s coming in for a landing on the sagebrush with vole in talons and glances up at me to make sure all is safe. I really like the intense direct eye contact in the shot. 1/1000, f/5.6, ISO 800, 500 f/4, 1.4 tc Now he’s focused on the sagebrush in order to make a successful landing. 1/1250, f/5.6, ISO 800, 500 f/4, 1.4 tc This time he stayed perched for less than five seconds and didn’t even pull his wings in against his body – he just kept them out or up while he seemed to contemplate his next…
