The sturdy, broad-winged buteos tend to be large raptors with correspondingly slower movements than most smaller birds. Most of the time when I’m watching them they’re hunting from an elevated perch or soaring overhead and in neither situation do they typically demonstrate much quickness or agility.
But they can put on quite the show when they need to.
Yesterday we found this juvenile Red-tailed Hawk perched on one of the darker Farmington Canyon Complex rocks on Antelope Island. I thought the generally light coloration of this bird to be slightly unusual but I’m certainly no expert on the color phases and morphs of this highly variable species.
Sunday morning we visited Utah’s west desert to see what we could turn up out there. We found a pair of American Kestrels, a few Swainson’s Hawks, one Ferruginous Hawk, several Turkey Vultures apparently feeding on a dead calf and four Red-tailed Hawks. But most were difficult to approach, in bad light or on ugly perches. Note: Some of this post may be of interest only to photographers. I apologize in advance to those of you interested more in the results of bird photography than in the process… 1/2500, f/6.3, ISO 640, 500 f/4, natural light, not baited, set up or called in But we did find the nesting pair of red-tails that I’ve posted about previously. This bird was perched up a canyon near the nest where its mate was incubating eggs. I caught the hawk at lift-off… 1/2500, f/6.3, ISO 640, 500 f/4, natural light, not baited, set up or called in and immediately after… 1/2500, f/6.3, ISO 640, 500 f/4, natural light, not baited, set up or called in and I was able to keep the bird in focus for a long burst of 22 images as it flew to my left. The problem was that it had been perched above me on a hill so when it took off it mostly glided with its wings straight out and shaded underneath so many of those shots aren’t particularly interesting. 1/2500, f/6.3, ISO 640, 500 f/4, natural light, not baited, set up or called in This was the last image with any light under the wings….
This might just be the rattiest looking raptor I’ve ever encountered in the wild.
I found this juvenile Red-tailed Hawk three days ago in Box Elder County, Utah. It was too far away for good photos but even so I scoped it out with my lens for ID and to look for anything unusual.
I spotted this adult Red-tailed Hawk perched on the side of a hill and hoped to get some take-off shots as it lifted off and then perhaps some full flight images. I always try to anticipate direction of take-off in this type of situation and I was pretty sure it would lift off to my left in the direction it’s facing. But I was wrong…
Last week, Mia and I enjoyed our first camping/photo trip of the season. We explored some remote areas of northern Utah and even found some interesting birds. But the incident I’m reporting on here still has me a bit perplexed.
This past fall I spent several days photographing a couple of juvenile Red-tailed Hawks on Antelope Island. I suspect they were siblings as they seemed to enjoy each others company, though one of them was significantly more skittish than the other. This one was the more cooperative of the two. I enjoy the challenge of lift-off sequences. I usually consider myself lucky if I can get 2-3 sharp shots with poses I like before losing focus on the bird but this time I did better than usual. There won’t be much “narration” here, just a series of images as the hawk took off after prey. Some of the shots are a little sharper than others but I like seeing the entire sequence – “warts” and all. Techs for all these images were identical – 1/2000, f/7.1, ISO 400, 500 f/4, 1.4 tc, natural light, not baited, set up or called in. Moment of lift-off. I like the splayed feet. Here the nictitating membrane is partially closed. Compositionally the left wing is too tight at the top of this image. I could easily add canvas up there and I might. I like how they splay their tail during the wing down-beat at take-off. Normally I do very little cloning but in this case I’d probably remove the stem under the bird if I chose to print this image. I did add a little canvas at the bottom of this shot. These last two images are very similar but I include them to…
Raptors at take-off typically have a “focused” look about them – they’re all business. But I thought the intensity of purpose of this Red-tailed Hawk was particularly evident. 1/3200, f/7.1, ISO 500, 500 f/4, 1.4 tc, natural light, not baited, set up or called in Red-tails are “perch-and-wait” hunters so when they take off after prey they already have their eye on it and their focus is seldom diverted as they swoop in for the kill. This juvenile was hunting voles from an elevated rock perch on Antelope Island several months ago. I’ve had few opportunities with red-tails since all the snow piled up around here. Hopefully that will soon change… Ron
On January 18 I photographed this Harlan’s Hawk at Farmington Bay WMA. Harlan’s is a relatively rare and very dark subspecies of the Red-tailed Hawk that breeds in Alaska and northern Canada but winters in the western U.S. and the Great Plains. I posted two other shots of this bird on January 20. 1/3200, f/7.1, ISO 400, 500 f/4, 1.4 tc, natural light, not baited, set up or called in On this day I only had a few moments with the hawk before it took off. 1/2500, f/8, ISO 500, 500 f/4, natural light, not baited, set up or called in Then, on January 22, we located the bird once again within just a few yards of where it had been four days earlier. This time it was at the bottom of a creek gully feeding on a freshly killed American Coot. The angle was steep and it’s not the most attractive setting but the behavior was interesting so I took lots of photos of this juvenile, if for no other reason than documentation of an unusual bird enjoying a meal. 1/2500, f/8, ISO 500, 500 f/4, natural light, not baited, set up or called in The bird was only nervous with our presence for a few moments, then resumed eating its meal with enthusiasm. Here it has a beak-full of feathers that it had a difficult time shaking off. 1/2000, f/7.1, ISO 500, 500 f/4, natural light, not baited, set up or called in I spent over 5 minutes with this…
Harlan’s Hawk is today considered to be a sub-species of the Red-tailed Hawk but its classification has a colorful history as it has twice been considered a separate species and twice as a race of the Red-tailed Hawk. The controversy continues today as several “experts” lobby to have the Harlan’s reinstated as a distinct species. In 1831 John James Audubon originally named this bird Harlan’s Buzzard, after his good friend Dr. Richard Harlan of Philadelphia. 1/2000, f/7.1, ISO 400, 500 f/4, 1.4 tc, natural light, not baited, set up or called in Harlan’s Hawks are quite similar to western Red-tailed Hawks but typically they are “colder/blacker” in overall color, with the tendency toward dusky-white tails in the ventral view. At rest, wing tips are obviously shorter than tail tips (easily seen here) and their breasts are variably streaked with white. 1/2000, f/7.1, ISO 400, 500 f/4, 1.4 tc, natural light, not baited, set up or called in In this view you can make out another identifying feature – the barring to the tips of the wing primaries (most easily seen here in the left wing). Harlan’s Hawks are found in Alaska and northern Canada but winter in the western United States and the Great Plains. I’ve had very few (if any) photo opportunities with them but found this juvenile (light eye) two days ago at Farmington Bay. I’m always delighted to photograph a “new” bird, particularly when it’s a raptor. Ron
If you’re a regular reader of this blog you know that I’ve had some reservations about falconry in the past. After extensive discussion here, with input from falconers, I no longer have many of those concerns. Last night Mark Runnels (one of the falconers involved in that discussion) sent me the link to a video clip that has simply fascinated me and I just had to share it. Like many others I sometimes fantasize about flight, especially as I watch a raptor soaring on the updrafts. The feeling of freedom and the ever-changing spectacular views that would come with three-dimensional mobility would be such an incredible rush. And if it could be done in silence (without engine noise) so that the only sound would be that of the air rushing by, so much the better. I’ve often watched raptors playing “tag” with each other on the air currents and wondered what it would be like to join them. Well, this must be pretty close to that experience. I hope you enjoy it as much as I have. Link below. Parahawking Thanks once again, Mark. Ron
Many raptors are “sit and wait” hunters, which means they often hunt from an elevated perch instead of “on the wing” and Red-tailed Hawks are well-known for this practice. An elevated perch provides good views over a large area and no extra energy need be expended in flight while looking for food. Typically these birds will use the same productive perch repeatedly over long periods of time, which presents a challenge to the photographer – poop (hereafter referred to as “whitewash”). Whitewash consists largely of crystalline uric acid (it’s more complicated than that but I’ll try not to stray into a discussion of the functions of the cloaca), which tends to be bright white. That whitewash can create some aesthetic and ethical conflicts between a “natural shot” and an image that has been “Photoshopped” to death, primarily by use of the clone tool. Many photographers routinely clone out whitewash and/or droppings and I’ll admit that I’ve done it before, but for me it’s an ethical dilemma because I much prefer to leave my images as natural as possible since I consider myself to be a “nature photographer”. In fact, right now I’m struggling with a series of Horned Lark images that I really like, but there’s a large, fresh and very conspicuous dropping right in front of the birds foot that most would find distracting. I could clone it out but every time I looked at that image I would know what I’d done. Canon 7D, 1/4000, f/5.6, ISO 640, 500 f/4, natural light, not baited, set up or called in A couple of days…
For several days early last month I was able to photograph this juvenile Red-tailed Hawk (and occasionally its apparent sibling) while it was “sit and wait” hunting for voles from elevated rocks on Antelope Island. The first six images I’ve presented here were all taken on the same morning. 1/2000, f/7.1, ISO 400, 500 f/4, 1.4 tc, natural light, not baited, set up or called in Many of these shots were taken during or just after take-off and you’ll notice that the bird was flying to my left in all six images taken that morning. That’s due to the “lay of the land” and the fact that the rocks this bird was hunting from were angled on the side of the mountain in such a way that the hawk was always hunting an area to my left. This is one of the few times the bird took off when it wasn’t after prey. 1/3200, f/6.3, ISO 400, 500 f/4, natural light, not baited, set up or called in When the hawk had spotted prey before it took off it never took its eyes off the quarry as it was going in, so I normally wouldn’t get direct eye contact. This bird was very close when it took off – you’ll notice from my techs that I’d removed my tc and the hawk was still quite large in the frame. 1/2000, f/6.3, ISO 500, 500 f/4, 1.4 tc, natural light, not baited, set up or called in It was somewhat problematic when there were rocks directly behind the…
I’ve said before how much I prefer the very dark Farmington Canyon Complex rocks on Antelope Island as perches, over the bright white Tintic Quartzite rocks found on the northern part of the island. This juvenile Red-tailed Hawk made my morning last month when it chose just such a rock to hunt from. I always enjoy it when I can get multiple shots of some interesting behavior or action in sequence. To me it’s almost like a very slow motion video and though it may include a few images that aren’t perfect individually I think that collectively the photos gain value as a group for what they illustrate – the whole can be greater than its parts. 1/2500, f/7.1, ISO 400, 500 f/4, 1.4 tc, shot from pickup window, natural light, not baited, set up or called in Photographing take-offs is always a challenge. The bird may just sit there for a half hour or longer but when it happens it’s quick and easy to miss. 1/2500, f/7.1, ISO 400, 500 f/4, 1.4 tc, shot from pickup window, natural light, not baited, set up or called in You also need to be concerned about what direction it will go and if you’re too close (it’s easy to clip wings if you are) or too far away (which shows less detail). Those with zoom lenses have an advantage over me because they can quickly adjust their focal length to whatever they want within their zoom range, while the only option I have is to attach or detach my teleconverter, which is cumbersome and takes time. …
There are times when I really struggle with composition when I’m cropping an image. To a degree, composition is a matter of taste and personal preference, though most folks would agree on a few major principles. Some of those might be: avoid clipping body parts or cropping too tight on the subject the subject usually (though not always) should not be centered in the frame leave plenty of room in the frame in the direction the subject is facing, looking or flying (in the case of birds) Where I sometimes run into difficulty making a composition decision is when there are other compositional elements in the image that I might like to include in the final version of the photo. Thanks largely to the influence of Richard Ditch, I’ve become fond of strong graphic lines in some of my images, as long as those lines come from natural or rustic elements (power poles or wires just won’t cut it with me). This summer I photographed a juvenile Red-tailed Hawk on an old, rustic pole fence in Beaverhead County, Montana and I’m having a very difficult time making cropping decisions on some of those images. My natural tendency is to crop fairly tightly on the bird to get good detail on the subject but I also like the graphic lines provided by the fence with different cropping choices. Several times I’ve thought I’d finally figured out which version I prefer, but when I came back to the computer a few hours later and looked at them one more time I was again undecided. Compositional mind…
