Getting Close To The American Kestrel

One of the first lessons bird photographers learn (often to their great frustration) is that you must get close to your subject in order to get good detail.  Very close.  Even if you’re shooting with a long, expensive lens.  And getting close usually ain’t easy!  Large crops rob detail.  I’m of the opinion that cropping away any more than about 50% of the image generally does unacceptable damage to image quality. Some species are relatively easy to approach – around here American Robins,  Mourning Doves and House Finches come to mind.  Other species have a reputation of being particularly skittish and at the top of that list for many photographers is the American Kestrel – a strikingly beautiful little falcon that is found throughout most of North America. For many years I’ve posted bird images on an internet avian critique forum and whenever I’d post a shot of a kestrel I’d invariably get comments that went something like this: “How in the world did you ever get this close to a kestrel?  I always see them perched up high on poles or wires and whenever I even begin to get close they fly away”. Well, here’s the secret – photograph them when it’s cold.  Very cold!  That means in the depths of winter.  It also means in the early mornings on those days when it’s coldest of all.  I’ve found that many species of birds are more reluctant to fly in the cold but that tendency seems to be magnified with the kestrel.  I’m not sure why but as a photographer I’m more than happy to…

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